Out of tuneIn the first year of secondary school the whole class once sung Happy Birthday for a classmate. All of a sudden I heard the sound of something hitting the wall next to my ear and the girl behind me screamed out in pain. Everyone stopped singing and our English teacher shouts angrily at the girl: "Why do you have to sing out of tune, ruining this song for your classmate!?" It was obviously a rhetorical question. Nonetheless, I turned my head to the girl -- maybe also to see where she was hurt. I hadn't heard her sing out of tune. While I turned my head, the teacher yelled, "Look at me when I'm talking to you!" She had actually been shouting at me. I was flabbergasted. It turned out that she had thrown a blackboard chalk at me halfway through the classroom, which had bounced on the wall about a foot from my ear, and then ended up hitting the fingers of the poor girl. Instead of apologising to the girl, the teacher blamed me for that too. From that moment on I always sang far softer than the people around me.
I never sang when there were people around. I preferred singing while speed cycling through empty forests and fields. Whenever my parents weren't home, I sang pop songs in the shower, or at the piano while accompanying myself. I had taught myself to play, and in the sheet music from the library the lyrics were nicely printed beneath the bars. That's actually the reason why I still know so many lyrics by heart.
When I played these piano parts for my parents without singing, they never recognised anything but the intros and the instrumental solos. The rest was meant to accompany a singer, of course. My father could sing, and sometimes I got him to sing along for half an hour. Usually, I guided him a bit with the pace, starting point, and tone by singing softly myself. Whenever he was lost completely I would just take over, until he picked it up again. At these moments I would forget that I couldn't sing and just sing along aloud. My parents told me they were surprised that I sang so well, and my father predicted that I would join a band and do well as a musician. He repeated that too often to me and other people for it to be merely a way to build my self-confidence. Even so, it didn't work. I don't believe that friends and family can ever be objective or rude enough to tell you the truth about your skills. I think any judge at any talent contest will agree with me.
No more nerdAs a teenager I composed music and wrote poems; in college I combined these two and wrote a few songs, but I was only comfortable performing them for Victor (see
Butt buddies) and Harry (see
Coming out: Harry). In fact, I asked each of them if they wanted to join me in starting a clever three-man variety show, for which I'd write the songs and acts, and participate in the performance. Each of them had too much stage fright and I hate being the centre of attention all by myself, and moreover -- if you recall -- I couldn't sing.
I continued to avoid singing in public at all times except when out in a bar with friends and we were all drinking and singing along with some campy folk songs on the loud speakers. At the end of college however, on Victor's birthday party, his sister had invited a couple of her girlfriends, one of whom had brought a guitar. At some point after midnight the girl with the guitar played a few songs, and then Victor told her that I also played the guitar. I tried to escape, but unsuccessfully. First, I played a few lame campfire songs that everyone sang along with, but when I ran out of those I switched to real music. Since no one knew the lyrics to 'Selling the drama' by Live, I sang it alone, and to my surprise people applauded afterward and asked for more. I performed some more songs and actually enjoyed being the centre of attention for once. Afterwards, the girls all wanted to chat with me.
A few years before, Victor's mother had warned him that I might be gay and in love with him and urged him to break contact with me (see
In the cards). His sister simply swallowed everything her mother said and, as a result, disliked me very much. She and I never talked much for the next few years. The morning after the party she said to me, "Jack, you've changed so much for the good. I always thought you were a bit of a nerd, but you've actually developed into a very cool guy!" I didn't feel I had changed all that much.
Stage frightMuch later I was a teacher at a secondary school for five years. It was a school tradition that after the diploma ceremony, teachers of the senior courses put on a 'bon voyage' revue. During my first year there, I joined that group of teachers because I felt morally obliged to do so. However, I made sure that I wasn't in the spotlights too much: my acting is even worse than my singing, while most of my colleagues were reasonable actors. It comes with the profession, I think.
The idea behind this was very nice, but I thought the music was a bit old-fashioned, and that the jokes in the lyrics and sketches could be much sharper. Moreover, while every graduate was mentioned at least once, too often the names were exchangeable. I thought the jokes should be much more personal. Instead of telling them the quality sucked, I wrote some material myself. In the next few years I became one of the main writers of the program, and I got much involved in the music, choreography, and direction. I also created all of the computer graphics which I would project for the sketches. This way, I could stay off-stage as much as possible.
In the third year, however, during the first rehearsal no singers had yet been assigned for the songs. We were just running through a line reading so everyone would be acquainted with the songs and sketches. Someone suggested that, until the parts were cast, everyone in turn would sing a solo part, just for fun. Just for fun, I felt a sudden urgent need to call a pupil's parents. But, when I returned someone remembered and said, "Hey, Jack, you are the only one who hasn't sung yet." And so I sang two verses. Everyone agreed that I had a very nice voice, and so I got a large chunk of the solo selections. As I had written much of the material, I could ensure that I didn't get any really difficult parts.
At the big evening, I sang on a stage for an audience of the sixty pupils of the highest level, their friends and family, and most of my colleagues who taught other levels or grades. Afterward many pupils told me I was the best singer of all, and even the music teacher and a vocal coach told me that they were happily surprised by my "very nice singing voice". After that I was no longer afraid to sing on stage within the confinement of the school.
Fuck the neighboursMy boyfriend Matthew kept giving me negative feedback on the way I sang in the shower. He said I sounded preposterous. So, I rarely sang at home: only when Matthew wasn't there, and softly enough for the neighbours not to hear me. Now that I'm single again I sing a lot at home and -- at reasonable hours -- I stopped caring about the neighbours (see
Singing in the shower).
When I told Ned (see
Greener grass) I couldn't sing, he responded that it makes him happy whenever people sing, because they are being themselves. "It's not about the quality," he said. And of course he's right. In fact, I feel the same way.
Recently, during a Skype conversation with
Sam I had to get something from another room, and returning to the livingroom I had forgotten that my microphone was still open and I was singing loudly. "You didn't hear me sing, did you?" I asked Sam when I got back behind my computer. "Like an angel on crack," he said, whatever that may mean.